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Eeeeeeeeee…

October 01, 2012 Author: Anthony Pacheco Category: Awesomesauce, The Craft  0 Comments

Hey everybody! I am a little excited! You should go to my home page and check out my announcement and the massive website upgrade!

More later, but yes, Armageddon’s Princess, a sci-fi mystery will be published in Fall 2012, which is like really super soon now. As soon as I have an availability date I will post it here. The print book will be available via Barnes and Nobel, a bunch of other places you can special order it from and of course, Amazon.

The eBook will be available exclusively for the Kindle for 90 days in which Amazon Prime members can borrow the book for an unlimited time for free. How awesome is that? Afterwards, Deep Mountain Studios will post the book to to iTunes, Smashwords and the Nook.

Stay tuned for the mega-super squeeeeeee cover reveal.

Dudes. I feel like a chipmunk on crank slurping on a super-sugar Slurpee. I haven’t posted this anywhere else because dragging The Official Publication Date(TM) out of the Powers That Be is really difficult. Man, that imprint run by that guy in Redmond. He needs to GET WITH IT.

XOXOXOXO

The Most Human of Us All

September 10, 2012 Author: Anthony Pacheco Category: Characterization, The Craft  0 Comments

There my main character was, sobbing on the floor, having gone through hell tailored by a computer program, designed to make her confront the very thing she didn’t want to confront. She was done. She had nothing left to discover. She knew all that she needed to know about herself. Yet, why couldn’t she cope? Why did the tears still fall?

It was then I departed from the rails of my outlining process (which isn’t restrictive, but it is an outline) and had the character ask, plead even, with the program. Didn’t it feel anything for the pain she went through? Did it feel anything at all for her plight? Or did was it really an uncaring bit of cleverness, designed to be brutally efficient and cruelly honest at all costs?

At this point, I didn’t know what came next, but I was going somewhere. I typed answer after answer, scene after scene. None of it worked and was worthy of the question before us. One response was five pages of pure speculative goodness, an insight into future artificial intelligence programing born from an understanding of advanced heuristics and neural networks.

But it was missing something. I deleted that, too.

Finally, a week later, I sat down and reached for my poor main character. She deserved an answer.

“Lexus, there is no cure for the human condition,” the program told her.

That was not the answer she expected. She (and by extension, I) wondered if the program was still running. Still trying to make her see through the fog of humanity by stripping it away and replacing it with a program of its own.

Or, was it using logic to reach her, to tell her that bad things happen to good people, that in its own broken way, it did care. It cared a great deal. It cared more than it could say.

I don’t have the answer to that, just as Lexus doesn’t have the answer to being human.

Maybe someday we’ll both find out.

Who Are You People and What Do You Want?

August 16, 2012 Author: Anthony Pacheco Category: The Craft  0 Comments

Lately I’ve been so busy with writing projects, my blog posts are obtuse or, at least, without substance. A hello of sorts. “Greetings I am still alive, how are you?” Really lame stuff.

So what happens?

More people subscribe to my RSS feed.

Ha!

The interweb tubes.Love it.

ANYWAY, man, oh man am I working hard on writing projects. I have two books right now, one of which is in the final stages of editing, consuming my writing time to the exclusion of almost everything else except work and family.

So what I am editing, specifically?

STUFF.

Oh man, I kill myself.

ANYWAY, it’s really quite refreshing to get structural editorial feedback. I appreciate my editor mightily. She’s a bit of the awesome.

And tough! So tough the editorial letter stretched into the next book.

And now, I go play in traffic.

JOYS!

 

Debugging the Editing Process

July 14, 2012 Author: Anthony Pacheco Category: Plot, The Craft  0 Comments

I get out the knives and the manuscript is screaming.

“Was it something I said?” it asks.

“It’s not you,” I reply. “It’s me.”

SLICE.

The manuscript screams again.

Of in the distance, an editor laughs.

The cat licks her tail.

Alpha

May 20, 2012 Author: The Admin Category: The Craft  8 Comments

Over the years(!) since I started this blog, I’ve come to the conclusion that writing about writing is a bit pretentious unless handled with care.

About the only thing of value I find anymore is a check-in for my blog harem (tee hee). My current work in progress is this. What’s next is that.

Why is that? I’ve wondered why those posts are popular, when others are not.

My theory: it’s because of action. I’m talking about things I did, or things I am just about to do.

So what am I doing?

I’m writing. I’ve gotten this contract under control (finally!) and have spent the entire weekend writing in a novel called Death By Lingerie. It’s a Lexus Toulouse murder mystery, and it’s shaping up to be a dozy. Poor Lexus gets in trouble. She gets in a lot of trouble. And to find herself again she has to go to places she isn’t supposed to go to. Do things that she never should do.

Never has crazy been so much fun to write! It’s science fiction just the way I want it.

Damn, I love being a novelist.

Anthony’s 2011 Writing Year in Review

January 03, 2012 Author: The Admin Category: The Craft  3 Comments

The Rehabilitated Hack Writer Presents: 2011!

(TRUMPETS)

These posts crack me up because they inadvertently become popular with my blog harem and my other 30.7 readers. I’m like… a guy. Who writes… or something. Perhaps everyone loves my dry, sarcastic wit. Or maybe you’re all expecting me to trip over myself. Or perhaps see this post:

The Wife Unit here. I’m sorry, my husband won’t be blogging any more. He made one snarky comment too many and I brained him with a stainless steel Kitchen-Aid sauce pan. No worries, the pan is okay. The DH, however, needs some time to recover.

Admit it you could totally see that.

But I digress. To talk about 2011, let’s go back to 2010.

Somewhere in 2010 I posted a bunch of story ideas. I was really reaching for some direction. Which story appealed to me? Which one could you see me writing?

2011 I figured all that out. Mainly through the mind-clarification process of editing. Here’s the smattering of stories I was considering:

  • That book in which stuff blows up in space
  • An epic fantasy novel book about dragons and singing
  • A book about high school cheerleaders from Utah battling space zombies (you know you want to read it)
  • Death by Decades: every ten years someone tries to kill the main character
  • The Baby Dancers: A YA novel about two brothers who travel across the Endless Void to rescue a baby

What I Learned

We’ll in 2011, here’s what I learned:

I have a dozen dozen ideas in my head. And none of them matter if, when I sit down and write, the voicing is not there. I can tell if the writing has a proper voice.

Holy crap. I can see the voicing.

It’s as if I’ve climbed a mountain, and found the Writing Guru, who then handed me the gift of a lifetime. It’s not that these ideas have bad plots, or maybe the main character is not interesting. I start a novel, and I can tell if the voicing is rocking the pages or if it’s stilted and flat. If it’s not there, I move on. I may have wasted 10,000 words. But I know. I know it down to my tosies.

I can’t begin to describe how liberating this is. It’s a ray of sunshine. Chorus of angles. A (REDACTED) with a (REDACTED) while (REDACTED).

Let me give you an example. I sent Super Cassie a plot idea and she about exploded in excitement, demanding the book in her mailbox.

I sat down and wrote two chapters. The plot is wonderful, and the main character is interesting, but the voice of the story is flat. It’s a literary sexless wonder, and I say that with total affection. I’ve put the manuscript aside.

So Tell Us About the Writing Already

Other than my voicing breakthrough, I wrote two books.

One was Stuff Blowing Up in Space. The book needs another revision, but I have plans for this novel, oh yes I do. It’s creative and fun. It’s sexy and the story arc is epic. EPIC I TELL YOU.

The other book was The Lightning Giver.

And ho-boy (ho-boy being a technical term) what a novel The Lightning Giver is. I have a manuscript that, based on my beta readers reactions, is not so much a YA novel as it Weapon of Emotional Mass Destruction.

It scares me. It really does. I’m not sure I can handle making so many people cry.

I have yet to have The Wife Unit read that one, by the way. It will push all her buttons and I don’t really want her to chase me around the house with a Kitchen-Aid pan.

I’m querying it anyway. If it doesn’t bite, I’ll move on. Because that is what I do. Which leads me to…

2012: I’m Still a Relentless, Productive Little Snot

What’s next? Besides querying my latest widely, I have a variety of things whispering to me:

  • That Baby Dancer book
  • That Dragonsong book
  • Some henceforth untitled book about a teen boy breaking into Hell to rescue the girl of his dreams
  • A book about a starship pilot fighting for a dying race while trying to come to grips with his legacy
  • Rat Princess, the aforementioned book Cassie wants in her mailbox
  • A sci-fi idea that keeps bubbling up about a warrior poet or something like that
  • Cheerleader zombie fighters!

It’s quite the diverse list. Which is good, Someone told me I should enjoy non-contract writing while I could. I believe that was wise advice. Which leads me to…

Self-Publishing: That Thing I Keep Getting Asked About

People ask me constantly if I am ever going to self-publish.

I don’t wanna!

There are many reasons, but here are three that stare me in the face:

  • It will cost me about $3000 to self-publish a book. Yes. 3K. I have editorial standards. I have cover-art standards. Both of these things cost money.
  • To do it right, it’s a time commitment.
  • I am a social creature, a consultant by trade. I like to talk with people and work with other professionals. I am a professional’s professional. That’s what I do. Writing is already a solitary pursuit. Self-publishing to me sounds like a lonely, lonely road.

With that said, I’ve also been told point-blank to stop screwing around. That there was a market for my stuffs and keeping it locked away was simply delaying my back-list.

Okay. That appealed to my “Just Do It” and see what happens nature.

But I don’t know, folks. The positive thing about being unpublished is I’m “allowed” to explore different genres. I could self-publish something and then want to move in an entirely different direction. Yes, I know all about the use of pen names (don’t ask, you don’t want to know). I don’t have any enthusiasm for publishing a novel under a different name. That’s not me.

I don’t have a line in the sand about self-publishing, but I am leery about spending so much time doing something I might dislike immensely. I am a father and a husband and a writer with a full-time job that is intellectually challenging and satisfying. If ever there was someone who should pursue an agent for Team Anthony it would be me.

Then again, the publishing landscape keeps rolling around. eBooks have torn away from traditional publishing methodologies and the path to readership is divergent.

Color me undecided. Which leads me back to…

2012: I’m Still a Relentless, Productive Little Snot

By the end of 2012 I will have written two novels.

That, my friends, is a bit of the awesome.

Weeeeeee!

Oh, and leaving Facebook for a year? Best. Idea. Ever.

Oh, Hey, I Wrote Another Book

June 23, 2011 Author: The Admin Category: Plot, STUFF BLOWING UP IN SPACE  2 Comments

I have a specific, honed, editing process. When I finish a novel, I put that sucker aside and do something else for a few weeks.

Apparently, doing something else turned into write another book.

As my 37.3 readers (Google tells me I had more readers via my RSS feed than previously thought) know, I had these various characters, setting and a ton of world building love for a Space Opera novel I was calling Stuff Blowing Up in Space.

After I finished The Lightning Giver, a plot for SBUIS hit me like an exploding nova.

The plot was all I needed, and I completed the first draft last night. DONE.

People, I am officially OUT OF CONTROL. The novel needs a round of edits, but it’s far, far from me just barfing words out on the page. It’s wonderful Space Opera plot with mysterious and sexy aliens, hunky men, and, of course, stuff blowing up in space. Some cuts, some edits, some polishing and that sucker is ready for some query love.

I’ve titled the book The First Casualty of War and it stands alone but also works as the first book in a trilogy. Now I turn back to editing The Lightning Giver while recharging my creative batteries by reading a bunch of books sitting in my queue.

Below you will find the first draft of a query. It needs work, but I was somewhat surprised I could pull a draft query of a Space Opera book in 249 words.

Bad Day for a Shish Princess

Fleet Commodore Philip Connery thought nothing of giving a sish Huntress a ride to the ass-end of nowhere even knowing the mono-gendered sish used sexual attraction to feed on the blood of both enemy and friends. If the odd crewmember arrived paler than normal for his or hers shift, well, that was the price of doing business with the beautiful sish. The sish saved their humans allies in the last war. A ride was the least he could do.

The impromptu mission was going well until they encountered pirates deep in the sish core.

Sent by the Commodore to obtain reinforcements, Captain James Tilbrook was at the end of his options when the surprisingly young and beautiful sish Space Marshal of Aoe Station refused to believe his story.

So he shot her and tossed her into his ship. Now the entirety of Aoe’s forces is out for his blood. Literally.

Sish Princess Leiesha was feeling lonely and resenting her cruel mother, the Queen, when crazy Fleet humans shot and kidnapped her simply because she didn’t believe their stupid story about pirates. Humiliated and trapped on a Fleet warship with empathic humans, Leiesha realizes that far from committing a heinous crime, the humans have saved her life. Someone had poisoned her!

The Commodore, Huntress, Captain and Princess grapple with these random events, but eventually realize they aren’t random at all. Galactic war looms on event horizon and they must come together or perish separately.

Interested?

Predator of Predators

August 01, 2010 Author: The Admin Category: Setting, STUFF BLOWING UP IN SPACE, The Craft  0 Comments

From my world-building notebook for Stuff Blowing Up in Space.

We read in science fiction stories all the time about the “adaptability of humans” or some other superior concept such as individualism, the triumph of the individual over the collective might of the pesky aliens (or even groups of humans).

What makes the Predator movies so fascinating is humans consider themselves predators, and the movies flip that on its end. Especially the first movie.

Humans are not predators of predators from a pure evolutionary standpoint. Humans need other humans to survive. They are socially adaptive.

The sish, the dominate species in the galaxy for Stuff Blowing Up in Space, form complex social groups to assert dominance to avoid food competition, not because they need to get together and fertilize eggs. They are loners and individuals much more so than humans are. They come with a slew of natural weaponry. What they cannot overpower they seduce with biological seduction weapons. What they cannot biologically seduce they can out think. Evolution can take many paths, the path for fight leads to brains that process information quickly. It’s not just a basic response, either. To a sish, exploration and advancement ties directly to food, and food is sex. Stepping foot on a new planet isn’t just fun, it’s foreplay.

Thus the adaptive, individual race is not humans. It’s sish. On the same evolutionary scale, they achieved FTL faster than others, they found more habitual planets and they are very effective diplomats, seeing war and conflict as the elimination of the food supply.

The human advantage over sish is a cultural one, one that leads to greater technological progress.

That’s a different entry, however.

Below are two sish, talking amongst themselves.  They are also vying for dominance and possible sex-play. Not to toot my horn too obnoxiously, but while this banter moves the plot forward, setting the stage for some juicy conflict, it’s also jam-packed with world-building without obnoxiously beating the reader over the head with it, as I have done with the text above.

If anybody who knew anything about military space vessels were paying attention, they would have immediately known something was odd about Task Group Inaeo’s two cruisers and their orbital positions.

Nobody was paying attention, because the last of Task Group Aoe’s space assets had crossed the FTL safety line and disappeared. If someone had been looking, they would have noticed the two cruisers covered a wide swath of the planet, rather than a wide swath of the space before the planet.

The two captains were in their respective private cabins, they had just finished watching what video there was of the human in train car.

Such video was ironic. They only had it because one of the sish in the car had an expensive recorder from the Terran sector, and it was EMP shielded. Who would have thought of such a thing?

“Quite an extraordinary play of events, don’t you think?” said the first captain.

“Indeed. A violent fellow, and the glimpse of the huntress was remarkable,” said the second. “A powerful, powerful telekinetic.”

“The Princess gets kidnapped, now this. Fleet has stepped in it for sure.”

“I am not so sure, Sister. He did say he was a contractor. Witnesses said he was an ‘Ambassador.’ Such people could be contractors, hired by Fleet at whim. Fleet is the only governance for the United Planets of Terra; they tend to hire civilians to deal with other civilians.”

The other sish captain nodded. “In any event, how convenient, do you think, that all of Aoe’s space assets are currently absent from the system.”

“A shame, really.”

“Scandalous, even.”

“Too bad we are forbidden from initiating any contact of the more, ah, free-enterprise elements that grace the pretty planet below us.”

Both cruiser captains were knee-deep  in the last system conversion to the human’s hyper-capitalism, becoming quite wealthy in the process.

Both hated, to their core, the matriarchal system of governance, an anachronism they could appreciate but recognized as one of the biggest disadvantages of dealing with the over-productive humans.

They had seen the endless human fleets. The Navy knew what was going on, even if the system governments did not.

“Yes, our orders were quite clear. Here we sit, unable to open communications.”

“Yes, orders are orders; one could even say they or superiors designed them for the maximum amount of ass-coverage. In case something goes wrong.”

“Funny how we two are the types to always think of what the right thing is to do despite the consequences.”

“Indeed. Very Fleet-like of us, don’t you think?”

“Indeed. What is that Terran saying? Keep your friends close, your enemies closer?

“I always liked, speak softly and carry a big gun.

Each suppressed a giggle and sighed.

“La la la, la la la,” said the first captain.

“Dee dee dee, dee dee dee,” said the second captain.

The first captain took out a hairbrush and started in on her ever-hated helmet hair.

The second captain started painting her nails a nice shade of green.

Bleep bleep, went the comm chime in one cabin.

Bleep bleep, went the comm in the second.

Both sish smiled, fangs already extended.