I believe thee are many variables involved with novels in a series turning out to be less than stellar efforts than the ones before it.

I have to point a finger at egos, editors and agents. What’s and agent and editor to do when a name, guaranteed to generate income, falls short on a different scale?

If I ever get published, I want my editor to give it to me with both barrels. Sophomore efforts that fail hurt the career. I want to be in for the long haul.

i especially enjoy this aspect of writing that you mention: not only is each book better written, but the planning and focus and interweaving…well, the process…is just easier/better/more wonderful.

So, this makes me wonder at the ones who are “old hats” — those whose many subsequent books are …for lack of a better word, substandard. Is there a plateau point (ok. i can’t remember the word. help me. you know, that point where everything actually becomes worse instead of improving…ack.)???

anyone, kudos to you!!!

I don’t see a problem with writing a sequel before you’ve sold the first, as long as you have a relaxed attitude to major revisions. Knowing your long term story arc is a definite plus.